Wednesday, April 1, 2009
Entourage
Wahlberg, Mark, prod. Entourage. HBO. Los Angeles, CA.
Bill Burr - Why Do I Do This?
Bill Burr is a stand-up comedian who often uses bawdy and black comedy. This bit is from one of only two CD’s he’s ever released, “Why Do I Do This?” In it, he discusses the effects of anonymity on the internet, political correctness on the internet, and sexuality and its relation to politics. With this piece, he exposes the hypocrisy of many of the people on the internet. However, he also uses his examples to show how similar we all are despite when we say we are different. The audience for this piece is anyone who has ever had an argument over the internet and considers themselves intelligent.
Why Do I Do This?. Dir. Michelle Caputo. Perfs. Bill Burr. Image Entertainment, 2008. DVD. 2008.
The Soup: White Oprah
This E! Entertainment episode of The Soup, a weekly dose of edgy humorous commentary on pop culture and television, presents a preview of a fake new talk show hosted by Dina Lohan. “All of Lindsay’s friends call me ‘White Oprah’”, said Dina, a statement The Soup thought a riot in light of the many public problems in the Lohan family (anorexia, drug addiction, missing court dates, etc). The preview’s voice-over makes a joke out of the celebrity mom as qualified to counsel others by praising her marriage and how she raised her kids while images are juxtaposed of a scantily clad Lindsay partying and her husband in handcuffs.
This piece acts as a social corrective because of the harsh nature of the criticism about Dina’s job as a parent and role model. Some of the references seem like “low blows”—such as Dina’s expert status on “how to live vicariously through your child”. Because the studio audience laughed at Dina, the idea that celebrity lifestyle is based on corrupted morals is reinforced.
“White Oprah.” The Soup. Host Joel McHale. E! Entertainment. 15 Nov. 2006.
<http://www.youtube.com/watch?v=oWMolBH1EUk&feature=channel>.
Richard Pryor. That Nigger’s Crazy.
Pryor, Richard. That Nigger’s Crazy. Richard Pryor, 1974.
This groundbreaking album is a recording of Richard Pryor’s stand-up performance at Don Cornelius’ Soul Train night club. In the early 1970s, comedy was milder but Richard Pryor revolutionized comedy with his extravagant jokes. His jokes are not merely comedy but his own real life experiences. He had a rough childhood growing up in his grandmother’s brothel, his mother having abandoned him when he was ten. The themes of this album include racial difference, racism, and gender roles. Pryor uses these subjects which he experienced in his early life in his neighborhood in Illinois. His intention is not only to make people laugh, but also to highlight racial differences through comedy, performing to multiracial audiences. In addition to being a stand-up comedian, he was also an actor in films and television shows which dealt with similar racial issues. He passed away three years ago but is still remembered as a pioneer of comedy with his natural wittiness.
David Cross "Jesus Talks"
In David Cross' stand-up comedy he often talks about religion (Christianity, Judaism, Science in relation to religion, reason, etc). As an atheist jew who grew up in the south, he clearly has an opinion on religion and he shares it frequently: religion is ridiculous. Usually he flat-out mocks religion, referring to the bible as something similar to dungeons and dragons and citing and pointing out other ridiculous aspects of christianity and Judaism (like how it's not fair that in Judaism, no matter what you believe, whether you're an atheist or think that God is a unicorn and babies taste like lemonade, if your mother is Jewish, then so are you). In this youtube audio clip David Cross takes a less risky, less offensive stance on religion. He observes how in all depictions of Jesus, actors attribute him to having a somber, knowing voice of reason and wisdom, but in reality nobody really knows what Jesus sounded like. Jesus could have had any number of voices, and David Cross wonders what if Jesus spoke in a really effeminate southern voice. His humor here is potentially offensive, but for the most part it is innocuous. It makes no groundbreaking observations about religion or christianity, all Cross does is ponder a what if and runs with it. The absurdity and unfamiliarity of this "what if..." is what makes it so hysterical.